“Both this song and film clip, have great significance in my personal life, the release of this single came at an emotionally charged point of time in my life, which let’s just say, the lyrics, became very real and relevant to my life at the time of the singles release, the locations used in this clip all relate to that relationship. I wanted to share my personal feelings with my fans, to be real, after all they are like friends, so this is me, sharing one of my biggest hurdles with my fans, in this film clip, with their support, I rise from the ashes, of something I thought my heart could never come back from”.
“The naughty side of Victoria McGee, snuck out in this one, I have an extensive background in Cabaret and a lot of love for all things glamourous, I wanted to give country music lovers something a little different.”
“This was a chance for the ‘showgirl’ to sneak out and sing about getting back to the simple life”.
“My debut film clip, I’ll never forget how nervous I was, some good friends make appearances in this clip, it was a fun one to record thats for sure, I’m glad no one can hear me screaming on the back of that quad bike at the end!”
“As a little girl, I would climb and place my radio on the top of my cupboard, so I could listen into Sydney’s Love Song Dedications, the purpose, to hear the Robertson Brothers sing ‘The Last Love Song’, to meet the boys several years later, was a dream come true, to be able to record with Geoff, a humbling & magical experience, to call him a great mate, an honour, this clip is a little singer’s dream coming true!”.
It’s amazing what happens when creative minds unite, and even more amazing when they run wild, the concept of this clip was suggested to me by my video producer Duncan Toombs and he must have known something, because it seemed only right to pay tribute to some of the great ladies of country in this clip. We revisit vintage country television era, here I am channeling my inner Dolly & Patsy to bring back the feelings and emotions of timeless classic country.
